The false prophet of Leyden, Massachusetts

My recent post on cities reminded me of a curious story from the town of Leyden, Massachusetts.

The Commonwealth of Massachusetts (for that is the official name of this state, a peculiarity shared with Pennsylvania, Virginia, and Kentucky) is completely divided up into municipalities, the smaller ones being towns, the larger ones cities. Since 1938, there have been 351 municipalities. Some of the towns are very small (Nahant is 1 1/4 square miles and Gosnold has only 75 inhabitants) but they are all fiercely independent.

Although I had lived in the state most of my life, I realized some years ago that I had visited less than half the municipalities in the state. I decided to visit them all. It took me a few years, not to mention at least three ferry rides to reach towns on the islands off Cape Cod. Along the way, I picked up some curious stories about some of the lesser-known towns.

Leyden is a hilly and heavily forested town

Leyden is a hilly and heavily forested town these days

Leyden certainly is not well known. With a population of 711 in 2010, it is a sleepy little town on the Vermont border. It’s not even easy to find, because no numbered state highways run through the town. Back in the 1790s, it was a somewhat more important place, with a population of about 1000, which made it one of the bigger towns in the western part of the state in those days.

It so happened that in the year 1797, Sgt. Dorril, a former British Army soldier, said by some to be a deserter, appeared in town, proclaimed himself a prophet with divine powers, and organized a communal society. This society practiced the sharing of property in common. They were also vegetarians, even giving up leather shoes so not as to exploit animals.

According to the most common versions of what happened, Dorril’s downfall came about in classic fashion. Dorril was speaking one day to his followers from a platform. He proclaimed his physical invulnerability as part of his divine attributes. It so happened that Captain Ezekiel Foster, one of the townspeople who did not accept Dorril as a prophet, was in attendance. He promptly got up on the platform, and beat up Dorril until Dorril agreed to renounce his claims to prophetic and divine powers. Naturally, his community swiftly disbanded. This was in 1798.

Dorril dropped out of sight. But some decades later, a newspaper reporter tracked him down for an interview. And this is where Dorril’s story takes on a sulfurous tinge. According to the reporter, Dorril claimed that he had deliberately taken on the role of one of the false prophets mentioned in the Bible, whose coming was a presage of the End Times. In effect, he was claiming to take on the role of one of the Damned to bring on the triumph of God.

Why he made this claim is unclear from what I’ve been able to find out. Perhaps he was trying to justify his ultimately ridiculous role by making it seem more important. Perhaps he was trying to capitalize on the Millenarian thinking so popular in the United States in the decades before the Civil War. If so, he failed, for he vanished out of the historical record. And so far as I can tell, the End Times haven’t yet arrived.

I remember passing by the town hall, which is a small wooden building

I remember passing by the town hall, which is a small wooden building

My own visit to Leyden was unremarkable, apart from needing street maps of the towns in the region to find my way there. Coincidentally, another religious commune had formed in Leyden around 1968, but it had broken up for good only a few years before I visited. So I saw nothing remarkable. And because it is so out of the way, I’ve not been in Leyden since.

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Part 2 of Martha’s Children begins, and on city boundaries

Martha’s Children takes a sharp turn as part 2 begins with chapter 13, “He sleeps by day, more than the wildcat.” And like a wildcat, Sherlock Kammen dislikes being bothered, unless it’s for a darned good reason. Being turned into a vampire by Martha didn’t qualify. What will Sherlock make of Ned’s proposal for vampire cops?

As you can see, I’m behind in the redesign of the blog, which is a pity, since I wanted it to coincide with the beginning of part 2. The header will definitely change soon. As for the new background, it will be explained next week.

I’ve been talking so much about Chicago in the 1960s and about Chicago’s Bronzeville. With chapter 13, we’ve switched to Chicago’s North Side. And here we need a bit of history and politics to explain just what Sherlock Kammen was doing in a North Side suburb.

One of the key features about local governments in the United States is that they are all creatures of the states, which can create them, change them, and abolish them as they like. In Illinois, like many Midwestern states, its territory was originally divided up into counties, which provided a more local level of government. (There are currently 102 counties in Illinois, most a few hundred square miles (or about 1,000 square kilometers) in size.) And counties may be subdivided into various smaller districts, called townships, villages, towns, and cities. The exact distinction between all these types of municipalities doesn’t matter much to us here. Suffice it to say that cities are generally the largest in population and most powerful in terms of what their governments can do.

Chicago city seal

Chicago city seal

Chicago is a city, has been since 1837. Like many cities in the United States, it began as a relatively small place in terms of area, a mere 10 square miles. But starting in 1851, Chicago started annexing neighboring lands, sometimes including entire townships. Again, this was not unusual for American cities of that era. The rising industrial age made cities richer and more populous and caused them to spread out. The communities at the edge of the cities were composed of farmers and poorer city folk who couldn’t afford to live in the central part of the city. Consequently, major cities had a bigger tax base and could offer better services than the surrounding suburban communities. Sometimes the inhabitants of outlying areas would vote to be annexed to the city to get those better services. Other times the cities would use their political clout to get the state legislature to pass a law annexing adjacent territory to the city. By 1890, after annexing three townships the previous year, Chicago had grown to 169 square miles. (See map of annexations here.)

And then the pace of annexation slowed, again as it did for many other cities in the East and Midwest. What had changed? The development of streetcars, trains, and eventually the automobile made it possible to work in the city without living there. Rich people, and even people who just had high-paying jobs, began moving out to the countryside and living there. The suburbs became wealthier on average than the central city. They became able to provide better services than the central city. They developed more clout in the state legislature. They no longer wanted to be annexed to the central city, and had enough political pull to prevent it. After 1915, it was extraordinary when Chicago could annex any adjacent land.

The City of Chicago and other communities in Cook County.

The City of Chicago and other communities in Cook County.

In the legal sense, Chicago is a city that hasn’t expanded much since 1915. But there’s another meaning to the term “city:” land that’s built up, that has a high population density, the urban area. In that sense, Chicago expanded as a city in 1889 way beyond its urban area. But since 1915, the urban area has spread far beyond the legal boundaries of the City of Chicago. Chicago’s not unique in this. New York City reached its current legal limits in 1898, Boston in 1911, Philadelphia as far back as 1854.

As a result, most major metropolitan areas in the East and Midwest consist of a central city, which includes what is often a decaying industrial district and slums, surrounded by an urban belt which may or may not be legally part of the central city. Beyond the urban zone are suburban communities, which are almost certainly not part of the central city. In terms of their economies and population, the central city, surrounding urban belt, and suburbs are all one metropolitan area. But legally, the metropolitan area is made up of many jurisdictions, which need not and often do not work together. This is one of the reasons why there was a busing controversy in the North in the 1970s: the city/suburb divide had become not just one of class, but also one of race, with the suburbs being whiter and richer than the cities. Courts mandated busing to exchange students between the cities and suburbs to achieve racial integration for the metropolitan regions as a whole, regardless of legal boundaries. The suburban communities resented having to send their kids into the city, when one of the major advantages of living in the suburbs was supposed to be better schools there.

Why this matters to Sherlock Kammen comes down to one point: the Chicago Police Department has jurisdiction over the legal City of Chicago, but not over the suburban communities beyond Chicago’s city limits. In settling down in a North Side suburb, Kammen hasn’t just picked a rich suburb. He has also put himself legally out of reach of the Chicago Police Department, making it harder for them to find and kill him.

Posted in History, Martha's Children, Writing fiction | Tagged , , , , , , | 10 Comments

Art show/art sale: Rebecca’s walking stick drawings

India ink and gouache on Bristol board, $125

India ink and gouache on Bristol board, $125

As readers of The Dragon Lady of Stockbridge know, Rebecca Farnsworth Maxwell got her nickname from the fearsome walking stick she carried. Now all three of the original drawings of that walking stick are going on sale.

Conte on toned paper, $150

Conte on toned paper, $150

E. J. Barnes, the artist, has framed each of the 8″ x 11″ drawings in a 14″ x 17″ frame. They are going to be shown at her house, which doubles as her studio, during Cambridge Open Studios this coming weekend, May 18 – 19, 2013. The public is welcome to attend between noon and 6 P.M. All three drawings will be on display and for sale.

Prismastix and Conte on toned paper, $150

Prismastix and Conte on toned paper, $150

For more information on Cambridge Open Studios, see their web site; the downloadable pdf has a map and contact information for all the participating studios. You may contact E. J. Barnes directly using the information on her web site here, or drop me a line at the e-mail address on the right.

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Chapter 12 of Martha’s Children, and blog changes coming

If Ned’s ever going to be a cop again, he’s going to need the list of cops Martha turned into vampires. Because Love told him it was the only way, he’s risked his life, and come close to killing Martha, to get it. And now, in “The list,” chapter 12 of Martha’s Children, Ned’s finally going to get his chance to get that list from Martha. But will she give it up? And under what conditions?

Sillyverse, this blog, is about to undergo a number of changes. So don’t be surprised if you check in and find things look different or have been rearranged.

Time to tinker with the blog's machinery!

Time to tinker with the blog’s machinery!

The most obvious change will be in the blog’s “dress.” It’s been the same since the beginning, except for the banner header, which belongs to The Dragon Lady of Stockbridge. Dearly though I love Dragon Lady, that story’s been finished for three months, and Martha’s Children has been the ongoing serial for more than two months. It’s time the blog’s appearance reflects that. I expect to complete changing it by next Friday.

Less obviously, I’ll be changing the structure and contents of the blog. It’s outgrown its original design as simply the place I was offering Dragon Lady. I have certain types of readers I didn’t expect, as well. And finally, some of the old posts are no longer relevant, while others still have useful information but in less than useful form. The reorganization will be a more gradual process, probably taking about a month.

I’m not planning any major changes in the purpose of the blog. But if I come up with some ideas while reorganizing it, you’ll all be the first to know!

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The writer’s happy lament; or, writer’s block as an aid to writing

This is your mind on writer's block

This is your mind on writer’s block

I have been suffering from writer’s block for a month. It’s not that I couldn’t write. I just couldn’t write anything that felt good. That, as it turns out, was a valuable warning sign. It told me I needed to think more about what I was trying to write and why.

You readers of this blog haven’t noticed, because I wrote chapters 5 – 14 of Martha’s Children back in early March. I could see that far ahead, and it was easy to write all those chapters. And then . . . nothing. I haven’t written a word since.

I knew what was happening. I had started writing Martha’s Children to solve a problem in 1969 that affected an unpublished story set in the present. I hadn’t really figured out why I was writing the story, except for entertainment. But this created a problem in the long term. The more I wrote, the more I tried myself to understand why the people in the story acted as they did, the more I tried to work out the significance of the story, and the more I wanted to provide a reason why people might actually want to read the story. On top of all that, the actual writing of the story created possibilities I did not envision when I started writing it. By the time I came to a halt in writing, I had three different endings for part 2, and I could offer no reason why any one of them was better than any other.

Something similar happened in The Dragon Lady of Stockbridge back when I was writing chapter 8, the werewolf chapter. The events in that chapter broke some of the existing conventions of the story up to that point. I had to sit back and rethink what I was doing. Ultimately, it made Dragon Lady a better story.

Sorting out a story's plot, characters, and themes feels like this

Sorting out a story’s plot, characters, and themes feels like this

So it was time to switch out of my “panzer” hat and over to the “plodder” hat, and keep it on for a while. I had to sit down and ask myself what I was trying to do with Martha’s Children, and compare that to what I had already written. And then I had to work out how I could continue the story, consistent with what had already been written, to achieve my purpose. That’s a tough process. I’ve been at it for a week, and I only finally made sense of it this morning over a cup of coffee and a chocolate chip scone.

The other piece I had to consider was what readers have said in their comments. It matters, at least to me. When you readers give me feedback that agrees with what I think I’m doing, I credit you all with the same brilliant insight I have, and go on my merry way. But when you make a comment that is critical, or even just shows you don’t understand my story on the same terms I do, or that you have different expectations of the story than my intentions, then I sit up and take notice. Doesn’t mean I agree with you. But it does tell me I’m not getting across what I thought I was saying. I have to look at how I might be responsible. And sometimes, you readers say things that give me a whole new slant on the  story, and I change the story I’m writing because of that insight you gave me.

That I go on about the effects of readers’ comments should clue you in that some of them have been ruining my sleep of late, and that I had them in mind this morning while plotting out the rest of Martha’s Children. I hope the story will be the better for that.

And this is how I feel now (with a tip of my hat to C. D. Friedrich, who died 173 years ago today)

And this is how I feel now (with a tip of my hat to Caspar David Friedrich, who died 173 years ago today)

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Chapter 11 of Martha’s Children, and vampire lust in “The Hunger” (1983)

“The gentle art of persuasion,” chapter 11 of Martha’s Children, is now up and available. Ned and the sorceress Love try to remove the diminutive vampire Martha from Chicago before she gets out of hand. Maybe they’re a bit too late? If you’re not already reading this serial of vampires and cops, and sorcerers, too, set in 1969, you can start here.

The blood lust of vampires and its relation to sexual lust has been an enduring theme in the literature and visual media. After exploring it myself in chapter 9 of Martha’s ChildrenI was motivated to look up and watch one of the more unusual films portraying this relationship, 1983′s The Hunger (see trailer), based on the Whitley Streiber novel of the same name that came out two years previously.

One of the posters gives a sense of the movie's style

One of the posters gives a sense of the movie’s style

The Hunger is famous for its lesbian sexual scene between vampire Catherine Deneuve and victim Susan Sarandon. But there’s more here to sink your teeth into. Deneuve’s Miriam Blaylock is a vampire that looks human but is of another species. In the movie, she seems capable of seducing just about any human she chooses into submitting to her. She can kill them, or she can make them into her partners by giving them some of her blood, which turns them into human vampires. Giving her partners the blood lust is psychologically her way of ensuring their sexual fidelity to her, if for no other reason than that any other potential sexual partner ends up dead to feed the blood lust. Provided they don’t mind sacrificing another human victim every week, Miriam’s partners seem to have the best of both worlds, sexual lust and blood lust, for several centuries . . . until they suddenly grow old and helpless, yet still immortal.

That’s the price Miriam’s human partners pay in the world of The Hunger, a variation of Tithonus’s bargain: after a few centuries of youth and fun, they become old and withered, but cannot die. David Bowie gets to see this happen to himself at the beginning of the film. Once he ages, Miriam just places him in a box, to stay there for all eternity, along with her other lovers.

Most reviewers have focused on the familiar trade-off between immortality and killing others that Susan Sarandon’s character faces when she is turned into a vampire. However, to me, the really interesting moral issue is the behavior of the inhuman vampire Miriam. Although she knows her chosen partners will eventually age and have to spend the rest of eternity as withered wrecks in a box, aware but incapable of action, Miriam continues to create new partners, simply because she is lonely without one. Far from being an act of kindness, Miriam curses her partners with untold millennia of suffering just to enjoy their company for a few centuries. She offers no real choice: she will destroy you now by taking your blood and killing you, or she will destroy you in a few centuries when you wither and become helpless, shut up in a box.

And that helps explain why The Hunger was not popular when it was released, and has obtained only a cult following since. Despite its truly glamorous style, The Hunger is ultimately an unglamorous depiction of the vampire as a destructive force. Miriam the vampire is surrounded by great beauty, is herself beautiful on the outside, but she truly has no soul. She is hollow.

I’ve wrestled with some of the same issues in writing Martha’s Children. However much they differ from Miriam Blaylock, the vampires of Martha’s Children face a similar problem. In becoming vampires, they have sacrificed the sexual lust for the blood lust, and yet they can’t seem to leave sexuality behind. In fact, they can’t even leave humans behind: they live among them while preying on them. Every vampire in Martha’s Children faces the problem of deciding what to live for, and how to live with people. They don’t all solve the problem the same way.

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Spring Witches (a reblog)

I haven’t reblogged someone else’s piece here before, so this is a first. The author, a Salem State University history professor, has a blog in which she offers a wide variety of images to illustrate historical topics. Found out about it when one of her articles was “Freshly Pressed.” This article of hers is on witchcraft, certainly a topic relevant to this blog:

Spring Witches

Posted in History | 2 Comments