Chapter 40: Things are not what I expected
Copyright Β© 2014 by Brian Bixby
i.
So I got out my umbrella, because a storm was coming, and headed down the railroad and Icy Glen Road to my parentsβ house. I spent the next half hour trying to get Elsie to talk, and then regretted it immediately. Alex had broken up with her. Sheβd gone out to a dawn rendezvous with him, only for him to unceremoniously dump her. Alex told Elsie that their relationship was over and that he wouldnβt be seeing her anymore. He offered no reasons why. He just dropped my sister like a piece of rubbish, something he no longer needed.
I was tempted to go over to Lakeview and rip out Alexβs guts (not that Iβd succeed), but the storm and my sisterβs need for a shoulder to cry on kept me at home for the afternoon. It didnβt help that even after this, Elsie was still in love with Alex and got offended at almost every criticism I made of him. So I stopped trying to put the blame where it belonged, and just did what a sister ought, comfort Elsie. I managed to coax her down to dinner, another tense, awkward affair, and left her afterwards with a promise Iβd come back tomorrow afternoon and weβd go for a walk together.
The storm had passed by, and I didnβt particularly feel like going back onto the Childrenβs lands just yet, so I went over to Burnt Mill Pond, spread out my waterproof jacket, and sat on the bluff, looking out over the pond. The sun was setting, and depending on my mood I found that either nice or dreary. At least, I thought to myself, itβs me sitting here, not Elsie, and neither one of us is contemplating suicide. Elsie had even laughed at the thought when I brought it up that afternoon. So there was hope.
It was with surprise and extreme displeasure that I heard a noise and found Alex Bancroft sitting down on the bluff beside me. He didnβt look at me or speak to me, but I knew I was the reason he was here. I was tempted to wait him out, but I got so angry thinking about Elsie that I finally turned and said to him, βI thought youβd sunk about as low in my opinion as you could, but what youβve done to my sister takes the cake.β Alex didnβt say anything, so I goaded him further. βOr am I supposed to believe that this is something youβre doing for better future results, thanks to your wonderful gift? Maybe now you can bed some more teenage groupies among the Children. Theyβre probably more respectable mates for the Prophesied One than a daughter of the Fallen.β
He finally turned to face me, a serious look on his face. βI doubt Iβll be bedding any more groupies, as you put it,β he said. βIβm leaving Quasopon tonight, and I donβt expect to return, ever.β
My gift of empathy didnβt work on Alex, but I could tell he was serious, which left me completely baffled. He was leaving? Why? Just when heβd eliminated the people opposing him? It made no sense, and I said so. βI donβt understand.β
βMy work here is finished, Emily. Selena thought Susan Knowles was an unhealthy influence on the Children. Once I saw the way she manipulated people, I thought so, too. Thatβs the only reason I agreed to play the role of the Prophesied One as much as I did. With Susanβs influence eliminated, the Childrenβs conflicts should stop boiling over. And when your sister Sonia bucks the High Council and gets herself elected to it, as she will, she and Hannah will set affairs among the Children on a better course. So itβs time for me to go.β
Oh. Still, he left out one thing. βAnd Elsie?β I didnβt disguise my bitterness.
Alex actually looked sad. βNot just Elsie. Regina, too. I canβt have either of them come with me. Which is why Iβm here to ask a favor of you.β
I raised one eyebrow in incredulity, but said nothing.
Alex went on. βYouβre going back to D.C. once youβre finished here?β
I barely nodded.
βGood. I want you to take Elsie and Jezebel with you. They need to get away from here if theyβre ever going to grow into the women they could be. And the two of them like each other and will support each other emotionally. Financially, youβll not be the loser for it. Iβll arrange for you to receive funds to cover the added expenses.β
I gave Alex a sour eye. βWhy should I do you any favors, Alex?β
Alex gave me his amused look and shrugged. βDonβt, then. Do it for your sister and for Jezebel. I canβt imagine you not wanting to help your sister. And while Jezebel will be a handful, especially since sheβs still in love with you, you know you and Elsie can do better by her than anyone here.β He saw I still looked dubious, and went on. βLook, what do I have to do to convince you? Beg? Prostrate myself on this wet grass, press my head into the ground, and tell you how unworthy I am?β
I thought about it. βYou have to wash my feet, too.β
Alex started to move, but I forestalled him. βOK, enough already. Iβll do it. Provided they agree to come of their own free will.β
Instead of prostrating himself, Alex turned to face me and then leaned forward until his head touched the ground directly beside me. βThank you, O merciful one!β He sat up and added, βAs opposed to Jezebel, who is living up to her title of Merciless One.β
βWhat do you mean? I know sheβs up at Hannahβs but what else?β Tanyaβs account of Jezebel was bad enough. What else was wrong with her?
Alex grimaced. βFor all she has suffered, sheβs still the same bright girl. She canβt understand why sheβs so childish and fearful all of a sudden. Nor does she remember clearly what happened in the deserted village, but she knows somethingβs wrong and that she played a role in it. And her love for you isnβt helping either, as she thinks youβre staying away because you despise her now.β Alex thought a moment and then laughed. βWhoβd have thought Penelope being crazy would be an advantage? She puts up with everything Jezebel does when Jezebelβs being difficult. And when Jezebel is near normal, itβs Jezebel that gets to worrying about Penelope and forgets her own problems for a while.β
Oh, another complication. I didnβt need that. But even so, I felt sorry for Jezebel. Alex didnβt know it, or maybe he did, but thatβs the moment I moved from agreeing with him to actively wanting to get Elsie and Jezebel away from here.
Since I had Alex here, whether I liked it or not, I figured he could at least answer a question or two I still had, in particular one big question. βWhy did Susan do it all?β
Alex looked up at the sky while answering. βI donβt really know, Emily. My gift has its limitations when dealing with other gifted people. I think she got used to having her way with people. When I showed up and tried to stop her, she created the True Believers to run me out. But I fought back, and Susan couldnβt leave well enough alone. She started to overreach. I think what finally got her started on the road to killing people was turning Hannah into an Instrument.β
βWha-what?β I couldnβt believe what I was hearing.
Alex turned to me and smiled at having surprised me. βOh, Hannah had not the slightest interest in being an Instrument when I arrived. But she was a Priest, and the Priests, as you know, have a troublesome reputation as Instruments, so Susan encouraged Hannah to think of herself as an Instrument. I think she expected to manipulate Hannah as a weapon against me. To her horror, Hannah began to develop into a true Instrument with a mind of her own, and she was even positioned in Susanβs own village. Susan had to exert a lot of her influence this last year trying to prevent Hannah from being recognized as an Instrument. She could see her power was endangered. And then when her plot with Jim Abbott went sour, she decided to resort to desperate measures. You can fill in the details yourself.β
It explained a lot, though not everything. Probably Iβd never learn everything. But the murder of Stephen Nash had been avenged, and with Susan and Alex out of the picture, the troubles among the Children might quiet down. Alex had said something about Sonia reaching the High Council. Iβd almost pay to see that happen, improbable though it was.
Thinking of Sonia reminded me of one other question connected to Susan. βYou told me Jezebel was safe from her abuser when Sonia was her guardian. And I know Sonia loathed Susan. Why didnβt Susan ever use her influence on Sonia?β
Alex couldnβt seem to make up his mind whether to laugh or frown at that. βShe did. It didnβt work.β He could see I was still puzzled, so he explained, βSusan was an amateur at using her ability to influence people. She never tried to systematically explore its use. Some people were just beyond her. She couldnβt usually affect people with spiritual gifts, which is why she had few followers among the Instruments. And Sonia . . . well, Sonia was just too sure of herself, just too strong for Susan to take on.β Alex shrugged. βThough from what I know now, it might have been better if Susan had succeeded. Your sister Stacia would have found out in short order, and anyone who could take down the ghost of Lavinia Priest would not have found Susan Knowles much of a challenge.β
With that speech concluded, Alex stood up. βI have to go. But there is one last thing you should know, Emily. I passed along Laviniaβs prophecy to Hannah, along with the notes on it that Stacia and Jezebel prepared. Itβs only fair it go to some Instrument among the Children, and I hope you agree that Hannah is the best choice. By now, she knows youβre the real Prophesied One who was destined to save the Children.β
The way Alex put it, I couldnβt help but look up at him and snort in derision. βYeah, I saved the Children, all right. Did it while I was tied up, even. Had to get kidnapped and rescued by Hannah, but, oh, I did it. Huh.β And then I added as an afterthought, βBut who cares? Itβs over.β
Alex shook his head. βNot really. The Prophesied One is supposed to guide the Children into their future after the crisis has passed.β
Well, gee, thanks a lot for telling me this at the last moment, Alex. I let my exasperation show. βYou really are a right royal bastard, arenβt you? You get me to agree to take Elsie and Jezebel back to D.C., and then you tell me Iβm supposed to spend the rest of my life here. Well,β I paused, mentally pulling out my hair, βto hell with you and the Children. I am not staying here to guide the Children. Let Hannah and Sonia do that, if they want.β
βTheyβll do it better with you by their side, Emily, though I know you donβt believe that. If I were you, Iβd cut a deal with the High Council, maybe to make it a part-time job. Itβs not a bad thing, being the Prophesied One. Take it from me. But itβs your choice. Just so long as you get Elsie and Jezebel out of here first.β
Which brought up a possible problem. βWhat will I have to do to get the Children to agree to let me take Jezebel?β
Alex gave me a knowing smile. βThe paperworkβs already been done. Just pick it up from Elizabeth Miller when you get the chance.β
So you already counted on me agreeing, didnβt you, Alex? βYou really are a bastard, you know.β
He didnβt answer, except to shake his head. Then he turned and walked away. I wasnβt inclined to follow after him. And that was the last I ever saw of Alex Bancroft.
ii.
My day had been one problem after another, one more thing pushing me to getting more involved with the Children. I didnβt want that. But I had to go talk to Hannah, as soon as possible, before she did something else for my benefit as the Prophesied One that I didnβt want. And maybe I could talk to Jezebel as well, though that promised to be a wearying job.
One of the surprising things Iβd found out from Elsie while talking to her earlier was that there was a node in the network of secret paths right beside where the railroad entered the Sacred Lands, just like there was one at the parking lot at the end of Over Mountain Road. That was how Elsie had been able to sneak onto the Childrenβs lands so easily. So I headed over to the railroad, walked to where it crossed into the Sacred Lands, and looked for the secret path that would take me to North Village and Hannah.
Iβd thought the secret paths were acting odd when I took Bonnie, but it was nothing compared to what happened this time. First of all, I had trouble visualizing them. They seemed to flicker in and out of existence. And when I entered, it got worse. The path I took seemed to stretch on forever and ever, and seemed to be getting smaller and narrower as I went along, even though it still looked as if I were in the woods. I began to feel squeezed, to find it hard to move, even hard to breathe.
Of a sudden, a hand seemed to reach out from an enormous distance in front of me. It was as if it were attached to an arm that was miles long. An unfamiliar female voice commanded, βTake my hand before you get trapped.β
I reached out and grabbed the hand. Almost instantly, I was yanked, and yanked hard at that. Thrown off balance, I stumbled forward and fell to my knees.
At least I was out of the secret path. That was good.Β I took a moment to recover, and then looked up. At first I couldnβt make any sense out of what I was seeing. And then I gasped in shock.
End of chapter forty


Do 27-year-olds say “takes the cake” any more?
Maybe this is just a stylistic issue, but for the sake of pacing, I’d break the paragraph before “He saw I still looked dubious,”
“Since I had Alex was here,…” — which is it?
If Susan had trouble influencing actual instruments, how did she manage to influence Jim Abbott?
Who’s Elizabeth Miller?
Just when we thought things were wrapping up, you can still shock us.
1. Take the cake: I don’t know; I’m willing to entertain substitute expressions.
2. I thought about breaking the paragraph there myself. It would throw in a reading pause where Alex might be pausing, and suggests that he’s reaching for every possible argument he can think of. But there’s another possibility, that he already can figure out, using his gift, just what to say to Emily to get her to agree. See following comment by me.
3. Fixed, thanks for finding this solecism.
4. Susan did have trouble influencing Instruments, but that doesn’t mean she couldn’t at all. Clearly she DID get her hooks into Jim. Maybe his waning Inspiration made him vulnerable.
5. Elizabeth Miller is Jezebel’s guardian, originally introduced in chapter 13.
6. I can almost guarantee you’ll not guess what Emily sees at the end. But when it’s explained, you’ll go, “Oh, yeah, that makes sense.”
Rarely do I reply to my own post, but I wanted to say a few words about Alex Bancroft from outside of the story.
Alex tells us he has a gift that allows him to understand present reality so well that he can in practical terms see into the past and future with high reliability. It’s not quite prophecy, and it does have limitations, notably with other gifted individuals and concerning people he’s never met.
If you think about this, the ability to know how the future will probably go, given circumstances, screws up a lot of our morality. It’s not just the problem of committing a lesser evil in the present to ensure a greater good in the future (or the converse!). It’s not even that you could be able to manipulate the present to produce an outcome in the future. It’s that in a way you have no choice but to manipulate the present to produce a future you choose, since you can see what happens if you don’t act to change the future. At least, that’s how I’ve depicted it working for Alex Bancroft. Judy and I have already had a discussion about whether this is even possible or makes sense, but it is presumed to work this way in the story.
All of which makes it hard to judge Alex Bancroft. He’s usually a benign presence in this story, and personally appealing. Yet one has to wonder at any point whether his actions are spontaneous expressions of his real self, or calculated acts done in pursuit of some goal he has in mind. Indeed, given how I’ve described his gift, one can wonder whether that distinction can even be drawn by any outside observer. Does that make him a sinister manipulator? Or do we judge him by the goals he is (apparently) pursuing? Or do we accept that he is what he is, including his gift, and accept his generally benign (if often perplexing) character as his real one?
To Emily, of course, he is usually appealing and frustrating at the same time. It isn’t until chapters 33 and 34 that Emily begins to consider the long-range implications of Alex’s talent and finds them sinister. Thereafter, she wants nothing to do with him. Yet she goes along with his story about what happened in the deserted village, and in this chapter converses with him on a friendly basis (after chewing him out over Elsie, of course). In other words, she’s really not sure what to make of him, and doesn’t always match her statements about how she feels about him to her actions.
We’ll get one more unique perspective on Alex Bancroft in the next chapter, but it’s no more gospel than any other. It’s up to you readers to decide what to make of Alex Bancroft.
Now that he’s out of the story I don’t really care so much…. but the plot just got thickened once you introduce both contradicting ideas about Emily taking E. and J. away from the Children, and at the same time being the Prophesied One. Or maybe it;s not such a big contradiction. and now this hand! I’ll have to be patient, I guess.
Just because Emily never sees him again doesn’t mean he’s entirely out of the plot! But you’re right, Emily’s got conflicting claims upon her . . . which are about to get more intense. π
As to Alex, from the start I’ve felt uneasy about him (as you know). Perhaps it’s because of his so-called gift (personally, I’d deem it a curse). As to yet another cliff-hanger of an ending . . . .
Just imagine what Alex’s gift/curse does to a relationship. Could you start one, knowing it would end badly, which is what Alex apparently has done with Elsie and Regina? Or how about knowing you could make it last, or not?
I think, barring an unforeseen change of plans, this is the last cliffhanger. We’re in the end game now. It’s just that one of the players, and one of the consequences, have both been offstage so far.
I was thinking of just such an occasion when I referred to his gift as a curse. No, I don’t want to know my future be it good or sad. But please don’t stop the cliffhangers. I enjoy them. π
In a fragment I’ve not managed to finish about Silly Hughes’s dying days, I have her say something to the effect that she really is an adult, because she doesn’t need to know the future, just that there will be one.
Definitely a cliff hanger of an ending…I really wanted a few more paragraphs!! Hmmm!! For some reason it is hard for me to internalize a ‘bad’ Alex Bancroft. While he may have some motives yet to be revealed having to do with his own future plans, he still seems an overall positive character with layers of complexity. We will see. I like the little descriptive detail of seeing a sunset being either nice or dreary. The grandness of falling daylight can amaze us with its beauty, even the blue hour after is beautiful, but it still spells the end of that day’s opportunities to get things done. It’s over..so that can settle into feeling dreary, frustrated and having to wait til morning to handle things. You’d think our reactions or emotions would be the same all the time over the same sights wouldn’t you? Nice real touch.
I’d have been happy to oblige, Judy, but the very next paragraph would have blown the surprise!
You and CP have been at opposite ends when it comes to Alex. I remember your worrying in an early chapter that I was going to reveal Alex to be the villain. I so dearly wanted to tell you that wasn’t what was going to happen to him. But explaining what was going on would have been a problem. In a way, Alex might be symbolized by the joke he made about Emily at the beginning of chapter 13.
I have to be the “bad” author and say that I’m happy two of my readers can come to such opposite conclusions about Alex.
Way back in 1967, the Moody Blues recorded “Days of Future Passed.” One of the tracks, “Evening” (sometimes split into two movements) offers an equally mixed reaction to the end of the day. I like your further exposition on the coming evening. π