Tag Archives: horror

Review: The Curse of the Werewolf (1961)

Having just read and reviewed The Werewolf of Paris, I decide to tackle its movie version, The Curse of the Werewolf, for my Halloween evening entertainment. In short, read the book. It’s interesting and unusual. The movie is a run-of-the-mill horror flick, … Continue reading

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Horror for Halloween: The Werewolf of Paris by Guy Endore

One of the standard criticisms of supernatural horror literature is that it is unreal. Why this isn’t a criticism of all literature is a good question, but supernatural horror literature is condemned for presenting us with unreal horrors when so … Continue reading

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Still among the living

Well, I perpetrated short fiction again, this time with a horror theme. Presumed Dead is a short story I wrote in response to a challenge. It’s brought to you by the folks at Sci-Fi & Scary: Sci-Fi & Horror Reviews, News, and … Continue reading

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Books of wonder: reviewing Ice and Picnic at Hanging Rock

There are stupid ideas. And I had one. Why not review two genre-bending works of fiction, both by female British Commonwealth authors, both published in 1967? Won’t the comparisons be fun and informative? And so I sat down to read … Continue reading

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Extreme emotional states in chapter 18 of To Ride the Lightning Bolt

Daphne Vane has never confronted a man pointing a gun at her before now. Then again, she just found out she’s one-quarter hell cat, not something that happens every day, either. Those two unprecedented events have an unprecedented outcome for … Continue reading

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Daphne is beastly in chapter 16 of To Ride the Lightning Bolt

Daphne Vane literally had something happen to her for which there were no words. But even what could not be described still has devastating consequences. Daphne faces not just the ruin of her mission, but possibly the permanent loss of … Continue reading

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Review: uncertain narrators in horror: novels by Hogg and Tryon

We tend to think of the unreliable narrator as a 20th century development. The unreliable narrator rejects the apparent objectivity of the omniscient narrator so beloved by the Victorians, warning us that all knowledge is subjective, all stories told from … Continue reading

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